And in glorious RGB color...the final (ish) sketch of my new self portrait. It's not perfect, but I really like where this is going. Jon Pinto encouraged me to try using my black and white sketch underneath the color version and glaze on top like the old masters did. Adapting any traditional technique to digital is always a bit of a challenge, but I am so incredibly pleased with some of the interesting marks and the process of pushing and pulling the color back and forth that I really think this is a technique that bears further exploration.
I especially love all the sketchy and wandering discovery lines throughout the piece. It's as if once you go into digital painting, particularly when you begin doing character airbrushing, you lose all of the discipline and excitement of "mark-making". Drew Struzan is my hero in this regard. His final pieces, as refined as they are, make excellent use of his skills as a draftsman. Even as he layers airbrushed color, acrylic paint, and colored pencil, you never fully lose the gorgeous pencil marks that make up his underpainting.
Let's see where this goes! Hope you enjoy the ride too!
Thanks for reading, God bless!